Code
library(photobiology)
library(photobiologyWavebands)
library(photobiologyFilters)
library(photobiologyLamps)
library(photobiologyPlants)
photon_as_default()
library(ggplot2)
theme_set(theme_bw())
library(ggspectra)Pedro J. Aphalo
2025-01-01
2025-01-01
This page is an early draft.
LED light, ultraviolet, visible, infrared, plants
In this page code chunks can be “folded” so as to decrease the clutter. Above each plot, table or other R-code output you may find one or more “folded” code chunks signalled by a small triangle followed by “Code”. Clicking on the triangle “unfolds” folded chunks making the R code that produced the printed values, plots or tables visible. Clicking on the same icon on an “unfolded” chunk, folds it hiding the code.
The code when visible in the chunks can be copied by clicking on the top right corner, where an icon appears when the mouse cursor hovers over the code listing.
The </> Code drop down menu to the right of the page title makes it possible to unfold and fold all code chunks in the page and to view the Quarto source of the whole web page.
The code below attaches R packages to be used and reads in the measured response data and the metadata describing the LEDs and filters used.
Plants do not absorb significantly in the near infrared (NIR) region of the spectrum, more specifically at what in plant sciences is called far-red region of the spectrum. The ISO definition of red based on human vision reaches all the way to 780 nm. However, in plant sciences we call far-red the region between 700 and 800 nm (Figure 1). The reason is that light absorption by green plant tissues is much less for these wavelengths than for the rest of the visible light spectrum.
Because of the much higher reflectivity in FR compared to VIS, in photographs based on these wavelengths plants appear almost white and the blue sky almost black (Figure 3). NIR photography provides one possible approach for increasing the contrast between plants’ foliage and the background (e.g., Webb et al., 2022), as long as other plants are not in the background. In turn, higher contrast facilitates the segmentation of an image into plant and not plant pixels. The NIR region of the spectrum is also central to the remote sensing of vegetation both at close distances (drones or land vehicles) to medium (aerial photography) and long distance (satellite instrumentation). At even closer distances it can be useful also when assessing plants’ growth. Monochrome NIR photography has other benefits, and has been in use for aerial photography for more than 100 years, since WW I, as it avoids atmospheric haze from reducing image contrast.
Strong UV-A or blue light induces chlorophyll fluorescence in the red and FR regions. This fluorescence can be observed and photographed when no other R or FR light is present. Fluorescence of chlorophyll and other plant pigments will not be discussed further in this page.
NIR photography can also help in the case of hemispherical photography. When it is used to assess light exposure of plants growing under other plants the usual extremely high contrast between shading vegetation and a bright sky is moderated or even reversed. In this example, reducing contrast is important while in the next example, increasing contrast is beneficial. Independently of vegetation, the luminosity contrast between clouds and the sky is higher in the NIR region of the spectrum than in the VIS, although any filter blocking blue light already significantly helps. In this page I show some examples.
Neither commonly used films or digital cameras are significantly sensitive to NIR. NIR photography with unmodified cameras or normal film is challenging and requires very long exposures. Film specifically formulated for NIR sensitivity was used with film cameras, both black and white and false-colour film have been available in the past. Normal digital photographic cameras have a NIR-blocking filter protecting the sensor, and are only weakly sensitive to the longer wavelengths of NIR. There exist both specialized off-the-shelf cameras sensitive to NIR and the possibility of having the NIR-blocking filter in a normal camera replaced by NIR (and UV) transmitting glass (“full-spectrum”) or by a given NIR-passing and VIS-blocking filter. The photographs illustrating this page were taken a “full-spectrum” converted digital camera. Please, see the page Camera spectral response: Full-spectrum Olympus E-M1 for additional details. False-colour NIR photography is in most cases an accident of using converted digital colour cameras, as the dyes used for the red, green, and blue filters on the sensor photosites differ in their spectral transmittance in the range 700 to 800 nm. At longer wavelengths, no false colour is rendered as the three dyes behave nearly identically (see page cited above).
The photographs shown in this article have been captured as raw files and converted to black and white in post-processing.
NIR radiation is reflected by plants, thus, its intensity depneds on the incident NIR irradiance. In an image where part of the vegetation is in the shade and part in the shade, the brightness in the image will strongly differ, in general more than the difference in brightness we see in the green. Differences in illumination among plants must not be confused with differences in reflectance.
Differences in NIR reflectance among green plants are small, but how noticeable they are can depend on the filter used. A full-spectrum converted camera is very sensitive to NIR, thus, foliage appears nearly white even when using a yellow or an orange filter. This is because reflectance is very high in the NIR compared to the visible. In an off-the-shelf camera, which has very low sensitivity to NIR, this effect can be seen only when using filters blocking more of the VIS light. The NIR reflectance of bark, dry stems, and seed pods varies more, and some are dark as they reflect NIR weakly
https://digitalcommons.usu.edu/cpl_techniquesinstruments/20/
---
title: "NIR-Photography of Plants"
subtitle: "Full-spectrum Olympus E-M1"
author: "Pedro J. Aphalo"
date: 2025-01-01
date-modified: 2025-01-01
toc: true
categories: [equipment]
keywords: [LED light, ultraviolet, visible, infrared, plants]
format:
html:
code-fold: true
code-tools: true
lightbox: auto
image: images/RawDigger-window.jpg
license: "CC BY-SA"
editor:
markdown:
wrap: 72
abstract: |
_This page is an early draft_.
freeze: auto
draft: true
---
:::: callout-note
::: {style="float: left; padding-top: 10px; padding-right: 10px;"}
{width="75"
fig-alt="Strong-optical-radiation ISO warning sign."}
:::
This page is still a draft, not only of the text. As any work in
progress the contents of this page may drastically change, even in some
of the conclusions. The methods will be described in detail.
::::
## R code
{{< include /_includes/folded-code-tip.qmd >}}
The code below attaches R packages to be used and reads in the measured
response data and the metadata describing the LEDs and filters used.
```{r, message=FALSE}
library(photobiology)
library(photobiologyWavebands)
library(photobiologyFilters)
library(photobiologyLamps)
library(photobiologyPlants)
photon_as_default()
library(ggplot2)
theme_set(theme_bw())
library(ggspectra)
```
## Introduction
Plants do not absorb significantly in the near infrared (NIR) region of
the spectrum, more specifically at what in plant sciences is called
far-red region of the spectrum. The ISO definition of red based on human
vision reaches all the way to 780 nm. However, in plant sciences we call
far-red the region between 700 and 800 nm
(@fig-arabidopsis-leaf-spct). The reason is that light absorption by
green plant tissues is much less for these wavelengths than for the rest
of the visible light spectrum.
```{r}
#| label: fig-arabidopsis-leaf-spct
#| fig-asp: 0.67
#| fig-cap: Spectral reflectance ($R_\lambda$), spectral absorptance ($A_\lambda$), and spectral transmittance ($T_\lambda$) of a leaf of an Arabidopsis plant of accession Landsberg erecta (Ler). Measured with a Jaz spectrometer with a xenon flash light source and a spectro-clip integrating sphere (Fang Wang and Pedro J. Aphalo, unpublished).
autoplot(Ler_leaf.spct) + theme(legend.position = "top")
```
Because of the much higher reflectivity in FR compared to VIS, in photographs
based on these wavelengths plants appear almost white and the blue sky almost
black (@fig-nir-viikki). NIR photography provides one possible approach for
increasing the contrast between plants' foliage and the background (e.g., Webb
et al., 2022), as long as other plants are not in the background. In turn,
higher contrast facilitates the segmentation of an image into plant and not
plant pixels. The NIR region of the spectrum is also central to the remote
sensing of vegetation both at close distances (drones or land vehicles) to
medium (aerial photography) and long distance (satellite instrumentation). At even
closer distances it can be useful also when assessing plants' growth. Monochrome
NIR photography has other benefits, and has been in use for aerial photography
for more than 100 years, since WW I, as it avoids atmospheric haze from reducing
image contrast.
::: {#fig-nir-Lammi}
{fig-alt="A photograph in greyscale, showing almost white foliage in trees, grey clouds and very dark water" width=100%}
Lake and forest view in NIR. Photograph taken using a full-spectrum-converted digital camera and a normal lens. A filter in front of the lens blocked VIS light but let through NIR.
:::
::: {#fig-nir-viikki}
{fig-alt="A photograph in greyscale, showing almost white foliage in trees, a nearly black sky and a few white clouds. Buildings are visible in varying shades of grey." width=80%}
City view in NIR. Photograph taken using a full-spectrum-converted digital camera and a circular fisheye lens. A filter between the lens and camera blocked VIS light but let through NIR.
:::
Strong UV-A or blue light induces chlorophyll fluorescence in the red and FR regions. This fluorescence can be observed and photographed when no other R or FR light is present. Fluorescence of chlorophyll and other plant pigments will not be discussed further in this page.
NIR photography can also help in the case of hemispherical
photography. When it is used to assess light exposure of plants growing under
other plants the usual extremely high contrast between shading vegetation
and a bright sky is moderated or even reversed. In this example, reducing
contrast is important while in the next example, increasing contrast is
beneficial. Independently of vegetation, the luminosity contrast between
clouds and the sky is higher in the NIR region of the spectrum than in
the VIS, although any filter blocking blue light already significantly
helps. In this page I show some examples.
::: callout-note
# Cameras and false-colour
Neither commonly used films or digital cameras are significantly
sensitive to NIR. NIR photography with unmodified cameras or normal film
is challenging and requires very long exposures. Film specifically
formulated for NIR sensitivity was used with film cameras, both black
and white and false-colour film have been available in the past. Normal
digital photographic cameras have a NIR-blocking filter protecting the
sensor, and are only weakly sensitive to the longer wavelengths of NIR.
There exist both specialized off-the-shelf cameras sensitive to NIR and
the possibility of having the NIR-blocking filter in a normal camera
replaced by NIR (and UV) transmitting glass ("full-spectrum") or by a
given NIR-passing and VIS-blocking filter. The photographs illustrating
this page were taken a "full-spectrum" converted digital camera. Please,
see the page [Camera spectral response: Full-spectrum Olympus E-M1](../camera-spectral-response/E-M1-fs-spectral-response.qmd) for
additional details. False-colour NIR photography is in most cases an
accident of using converted digital colour cameras, as the dyes used for
the red, green, and blue filters on the sensor photosites differ in
their spectral transmittance in the range 700 to 800 nm. At longer
wavelengths, no false colour is rendered as the three dyes behave nearly
identically ([see page cited above](../camera-spectral-response/E-M1-fs-spectral-response.qmd)).
The photographs shown in this article have been captured as raw files and
converted to black and white in post-processing.
:::
## Plants: foliage vs. flowers
::: {#fig-nir-landscape-plants layout-ncol=3}
{group=nir-landscape}
{group=nir-landscape}
Plants and vegetation seen in near-infrared (NIR) radiation. Although these photographs may look as black and white negatives, they are positive images: plants' leaves reflect approximately 50% of the NIR inpinging on them, and as longer wavelengths of sunlight are very weakly scattered in the atmosphere skylight is depleted in NIR. Photographs taken using a full-spectrum-converted digital camera and a normal lens. A filter in front of the lens blocked VIS light but let through NIR.
:::
## Differences among plants
NIR radiation is reflected by plants, thus, its intensity depneds on the
incident NIR irradiance. In an image where part of the vegetation is in the
shade and part in the shade, the brightness in the image will strongly differ,
in general more than the difference in brightness we see in the green.
Differences in illumination among plants must not be confused with differences
in reflectance.
Differences in NIR reflectance among green plants are small, but how noticeable
they are can depend on the filter used. A full-spectrum converted camera is very
sensitive to NIR, thus, foliage appears nearly white even when using a yellow or
an orange filter. This is because reflectance is very high in the NIR compared
to the visible. In an off-the-shelf camera, which has very low sensitivity to
NIR, this effect can be seen only when using filters blocking more of the VIS
light. The NIR reflectance of bark, dry stems, and seed pods varies more, and some are dark as they reflect NIR weakly
::: {#fig-nir-Loppi}
{fig-alt="A photograph in greyscale, showing trees, grass and herbs unevenly illuminated by the sun. The foliage of well-illuminated trees looks almost white, but that of shaded trees and plants is darker grey. The sky is nearly black and there is a large white in it." width=80%}
Photograph in greyscale, showing trees, grass and herbs unevenly illuminated by the sun. The birch in the distance is in full sunlight while the nearby Norway spruce and the short vegetation under the trees are in partial shade. Photograph taken using a full-spectrum-converted digital camera and a normal lens. A filter in front of the lens blocked VIS light but let through NIR.
:::
## Below-canopy hemispherical photography
## Sky hemispherical photography
::: {#fig-nir-sky layout-ncol=3}
{group=nir-sky}
{group=nir-sky}
{group=nir-sky}
Three hemispherical NIR photographs of the sky, taken from the same location. They are a sample from a time series of images taken in Viikki Helsinki, Finland, during one afternoon.
:::
## References
https://digitalcommons.usu.edu/cpl_techniquesinstruments/20/