Rescuing a technically “bad photograph” is not that difficult nowadays. This photograph was taken against all odds… through the double glassing of a dirty window on a train racing at high speed through the landscape. To make things even worse the sun was shining on the window I took the photograph through and the glass was slightly tinted green. The result out of camera was a low contrast raw image that looked like a sure discard… but was it?
I have updated the post ‘Black anodised aluminium in IR‘ after using the Tenenal special camera paint (black deep mat) and repeating some of the tests.
A comparison between the Baader U filter and the StraightedgeU filter, both with sun and a modified flash as light sources. Examples of flowers from two species, which display different false-colours with the two filters. Continue reading Filters for UV photography
Using the E-M1 converted to full spectrum with the Pinhole Pro objectives is possible. Using a 58 mm NIR filter (Hoya R72) attached to the front of the 11 mm Pinhole Pro S11 worked fine, with no increase in vignetting. Using the StraightEdgeU 52 mm or Baader U-filter 2″ with a step-down ring blocked the corners of the image completely. The original 26 mm Pinhole Pro suffers a lot less from vignetting and can be used with these filters of smaller diameter than the front thread of the lens without problem.
High dynamic range (HDR) is used to refer to photographs which have captured a broader range of luminosity values than what is usual. In most contexts it implies a higher dynamic range than a digital camera sensor can detect between saturation and its noise floor. How can this be achieved? By combining several images so that different parts of the scene come for images taken with different exposure settings. In other words exposure bracketing followed by digital processing to merge the images. If you do not know what is the meaning of bracketing in photography please first read my earlier post on the subject. Continue reading High dynamic range
Last week I was asked about what objective I use when photographing live insects in the field. I do not always use the same objective, so I will describe the two I most frequently use. Neither do I use what would be the most suitable or state-of-the-art optics. Continue reading Photographing insects: lenses
If you are interested in photography, and take photographs under illumination from LEDs, you need to be aware of how the dimming of LED lamps works. LEDs are becoming very popular, and dimmers are quite frequently used to adjust the light level. This applies to households, offices, commercial spaces, and the now ubiquitous special LED lamps sold for studio and on location video and photography. Continue reading Dimming of LEDs
Until very recently I was not aware that optical glass filters can fluoresce when exposed to ultraviolet radiation. In this short post I use two filters from Heliopan that I own as examples of this. However, many other filters, and even the glass elements in some camera lenses can also fluoresce. Continue reading Fluorescence of glass filters
The light output of many types of lamps varies at twice the frequency of mains AC line frequency. Alternating power follows a sinusoidal shape, alternating between positive and negative half cycles. This causes the doubling of the frequency, for each half cycle in the power supply there is pulse in the light output. Continue reading AC line frequency and shutter speed
This is the third of three instalments on the comparison of three sets of macro extension tubes for MFT cameras: Macro extension tubes (description), Macro extension tubes (glare), and Macro extension tubes (lens mount). Continue reading Macro extension tubes (lens mount)